When I was younger, I could be pretty bitter. I still have moments, but I think I've gotten pretty good at rejection.

It's a different kind of acting, this 'Law & Order' thing. They want two partners who can play off each other well and are fun to watch, but depth of character is not necessary in this job. Too much character gets in the way of the story. This is a very specific gig.

So much comedy comes out of an earnest, deeply rooted need for one thing or another, trying to get it and caring so much that you lose your sense of self-awareness.

If I feel my child is being deprived of anything that could affect her progress as a person, then I become extremely neurotic and douse the situation with as much help as humanly possible.

There was a period in high school when, for some reason, I decided that suburbanites were my enemies or my rivals in a way.

If you ask ten different people in the diamond industry about the diamond industry, they'll give you ten completely different answers that are opposing, contradicting each other. And maybe that's the thing about the diamond business.

In the case of 'Ice,' in the beginning when I got the script, felt like a show that was searching for what it is, and what they knew or what felt palpable to me was that this character, Freddy Green, was going to have the biggest journey.

I don't have the attention span to practice sleight of hand.

I play the guitar, and I juggle.

I was a sandwich artist at Subway and can still rattle off the order of toppings. I was fired because I got meatball sauce on the ivory cutting boards.